Jason Vieaux

Feb 21, 2015

2015 GRAMMY Winner, Best Classical Instrumental Solo

Clarke Recital Hall
University of Miami
5501 San Amaro Drive
Coral Gables, FL 33146

Saturday, February 21, 2015 at 8:00 pm

Grammy-winner guitar virtuoso Jason Vieaux performed a concert at the University of Miami’s Clarke Recital Hall, presented by the Florida Guitar Foundation. Vieaux’s program included Mauro Giuliani’s Grand Overture, Opus 61, Bach’s Lute Suite No. 1 in e minor, Isaac Albéniz’s Asturias, Capricho Catalán, and Torre Bermeja, Paulo Bellinati’s Jongo, Hans Werner Henze’s “Drei Tentos” from Kammermusik, Vieaux’s arrangement of Pat Metheny’s Always and Forever, Antônio Carlos Jobím’s Felicidade, Vieaux’s arrangement of “Duke” Ellington’s In a Sentimental Mood, and José Luis Merlín’s Suite del Recuerdo.

Vieaux’s latest album, PLAY, a selection of audience favorites celebrating Vieaux’s 20 years of professional touring, was released in January 2014 on Azica Records and has been nominated for a 2015 Grammy Award for Best Classical Instrumental Solo. In Summer 2014, NPR named PLAY’s Zapateado as one of the “50 Favorite Songs of 2014 (So Far),” describing Vieaux as “perhaps the most precise and soulful classical guitarist of his generation.” Of PLAYSoundboard Magazine writes, “If you ever want to give a friend a disc that will cement his or her love for the guitar, this is a perfect candidate,” while Premier Guitar claims, “You’d be hard pressed to find versions performed with more confidence, better tone, and a more complete understanding of the material.” Jongo, A Felicidade, and In a Sentimental Mood from his Coral Gables performance are all featured on PLAY.

Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is the classical guitarist that goes beyond the classical. He has earned a reputation for putting his expressive gifts and virtuosity at the service of a remarkably wide range of music, and his schedule of recital, concerto, chamber music, teaching and recording commitments is distinguished with return engagements throughout the U.S. and abroad. Vieaux’s solo recitals have been a feature at every major guitar series in North America, as well as many of the important guitar festivals in Asia, Australia, Europe, and Mexico. Recent and future highlights include returns to the Caramoor Festival, Philadelphia Chamber Music Society, and New York’s 92nd Street Y, as well as performances at Argentina’s Teatro Colon and Oslo, Norway’s Classical Music Fest. Vieaux’s appearances for Chamber Music Society of Lincoln Center, Music@Menlo, Strings Music Festival, Grand Teton, and many others have forged his reputation as a first-rate chamber musician and programmer. He collaborates in recitals this season with Escher Quartet, acclaimed harpist Yolanda Kondonassis, and accordion/bandoneón virtuoso Julien Labro. Vieaux’s passion for new music has fostered premieres of works by Dan Visconti, David Ludwig, Jerod Tate, Eric Sessler, José Luis Merlin and Gary Schocker.

Jason Vieaux has performed as concerto soloist with over 50 orchestras, including Cleveland, Houston, Toronto, San Diego, Ft. Worth, Santa Fe, Charlotte, Buffalo, Grand Rapids, Kitchener-Waterloo, Richmond, Edmonton, IRIS Chamber, Chamber Orchestra of Philadelphia, Chautauqua Festival, and New Hampshire Music Festival. Some of the conductors he has worked with include David Robertson, Miguel Harth-Bedoya, Jahja Ling, Stefan Sanderling, Michael Stern, David Lockington, Steven Smith, and Edwin Outwater.

Vieaux continues to bring important repertoire alive in the recording studio as well. Among his previous eleven commercial albums is an Azica disc of Astor Piazzolla’s music with Julien Labro and A Far Cry Chamber Orchestra. Bach: Works for Lute, Vol. 1 hit No. 13 on Billboard’s Classical Chart after its first week and received rave reviews by Gramophone, The Absolute Sound, and SoundboardImages of Metheny features music by American jazz legend Pat Metheny, who, after hearing this landmark recording, declared: “I am flattered to be included in Jason’s musical world.” Sevilla: The Music of Isaac Albeniz made several Top Ten lists the year of its release. Vieaux’s albums and live performances are regularly heard on radio and internet around the world, and his work is the subject of feature articles in print and online around the world, including such magazines as Acoustic Guitar, MUSOGramophone, and on NPR’s “Deceptive Cadence.”

In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an unprecedented technological interface that provides one-on-one online study with Vieaux for guitar students around the world. In 2011, he co-founded the guitar department at The Curtis Institute of Music, and he has taught at the Cleveland Institute of Music since 1997, heading the guitar department since 2001.

Vieaux is a member of the Advisory Board of the Guitar Foundation of America, and is affiliated with Philadelphia’s Astral Artists. His primary teachers were Jeremy Sparks and John Holmquist. In 1992 he was awarded the prestigious GFA International Guitar Competition First Prize, the event’s youngest winner ever. He is also honored with a Naumburg Foundation top prize, a Cleveland Institute of Music Alumni Achievement Award, and a Salon di Virtuosi Career Grant. In 1995, Vieaux was an Artistic Ambassador of the U.S. to Southeast Asia.

Jason Vieaux is represented by Jonathan Wentworth Associates, Ltd. For more information, visit www.jasonvieaux.com; Jason is tweeting @JasonVieaux, and his Facebook fan page is www.facebook.com/jasonvieaux.

Clarke Recital Hall

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